I Went To The Landmark Commission Hearing For Carrie Bradshaw's Iconic Stoop, And It Completely Changed The Way I Think About Privacy

I didn't expect to cry during a New York City Landmark Commission hearing, let alone over something as seemingly small as a proposed gate installation. But there I was, getting choked up, as the homeowner of a historic brownstone in New York City's West Village made her plea for the city to approve her right to install a short, arched gate at the bottom of her brownstone's steps.

Let me back up.

For fans of Sex and the City like myself, Carrie Bradshaw's brownstone stoop is one of the iconic and recognizable locations in the show. And unlike many New York exteriors seen on TV, the stoop isn't part of a Hollywood set but rather an actual brownstone in New York City.

Person in stylish asymmetrical dress with printed patterns, holding small purse. Standing on stairs, likely at event related to TV or movies
Warner Bros / ©Warner Bros/Courtesy Everett Collection

From Carrie sitting outside to finish a cigarette to Big pulling up in his town car, these steps have served as the backdrop for many of Sex and the City's most memorable moments.

Person wearing a tied plaid shirt, light jeans, and heels, holding a bag while descending stairs

I grew up watching Sex and the City, though I have never visited the brownstone.

Photo By: Kristin Callahan/Everett Collection

The owner of the brownstone has lived there for over 46 years, since Nov. 8, 1978, long before the show began filming. But living in this famous brownstone has presented many challenges for its tenants. Hordes of tourists regularly visit and take photos, and influencers often film TikToks outside on the steps. There have even been reports of people trying to climb inside the window. So, the brownstone's owner, Barbara, went in front of the New York City Landmark Commission for a proposed change. In a publicly available letter, she recounts how her stoop became the filming location for the show over 20 years ago.

Social media posts featuring people visiting iconic scenes associated with Carrie Bradshaw's house in NYC, part of a TV-themed experience

The statement continues: "At the time, no one knew the show would turn into anything long-lasting...much less the iconic fantasy vehicle and touchstone for NYC’s magic that it has become."

Person on the steps, wearing a floral dress and a cardigan, talking on the phone, with a stylish handbag

Barbara then goes on to explain how she's tried other privacy measures in the past, such as a chain across the base of the stoop: "The 6th Precinct advised me years ago to put a chain across the base of the stoop with a 'No Trespassing-Private Property' sign. It helps, but not enough. Many visitors respect the chain. But many do not."

Sign on stairs reads: "Private Property, No Trespassing."

"[People] climb over the chain, pose, dance or lie down on the steps, climb to the top to stare in the Parlor windows, try to open the main entrance door, or, when drunk late at night, ring the doorbells.

We’ve also had graffiti painted on the steps and initials carved into the main door frame."

Emily Kling

The owner concludes her statement with this: "After 20-plus years of hoping the fascination with my stoop would die away and fans would find a new object for their devotion, I have acknowledged we need something more substantial. In order to regain a reasonable quality of life for our tenants and ourselves, we need to install a proper gate."

Person in a jacket takes a photo of historic brownstone buildings on a city street
Emily Kling

There are numerous images throughout the proposal document of other brownstones in the area that have installed fences, which is the proposal's way of showcasing that there is precedent for these kinds of changes.

Black wrought iron railings and steps leading to a townhouse entrance, with flower boxes on window sills above

Now, I had never been to a Landmark Commission hearing before. But they're open to the public, so I decided to head on over to the courthouse and sit in on the hearing myself.

Person in a zip-up jacket takes a selfie outside a grand building with columns and archways

^ Me in front of the courthouse, very cold.

Emily Kling

You can watch the hearing, too, by going to this YouTube video. The section about Carrie Bradshaw's townhouse, i.e. 66 Perry Street, starts at 1:35:00 and lasts a little under 30 minutes.

Slide about a NYC LPC hearing on Zoom for Greenwich Village Historic District, January 14, 2025. Includes Zoom details and note about testifying

I recommend watching the whole thing!

YouTube / Via youtube.com

I don't know what you're imagining when you're picturing Barbara, the owner, but if you have an image of some angry, out-of-touch New Yorker, I want you to reorient that thinking immediately.

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She was so sweet and so warm and expressed love for her community. She didn't want to put up a fence and said multiple times that she understood why people came to take photos in front of her home. This proposed gate was becoming inevitable for her and her neighbors' safety.

During the hearing, Barbara shared some words beyond her written proposal. She said the presence on her "celebrity staircase" is "endless."

Through tears, she said that it wasn't her hope to gate the house but that "what was beautiful in the late 19th century is unfortunately in need of more protection in our century and in our time.

I hoped for literally decades that this would pass, but at this point, I think even someone as stubborn as I am has to admit that this isn't going away...

I wanted to do something that would add to the beauty of the front, not just look like a barrier...

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This is home to three families. Take all the pictures you wish standing on the street, but please don't climb into our space and into our windows."

Woman in a striped top and flowing white skirt descends a brownstone staircase, holding her dress. Scene suggests a TV or movie setting
Photograph by Craig Blankenhorn/HBO Max

Three remote participants then shared their testimonies.

One participant was Christina Conroy from the Victorian Society of New York, who supported installation of the gate. Christina talked about how NYC stoops are simultaneously private and public spaces.

She shared that the Victorian Society of New York typically opposes the addition of gates on stoops as they "betray [their] semi-public nature." Still, they are willing to make an exception in this instance due to the "extraordinary fame of Sex and the City...[which] has turned this townhouse and, more specifically, this stoop into an entertainment landmark and has completely obliterated any sense of its privacy."

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The homeowner's neighbor, a disabled veteran named AJ Parker, also testified. She shared that "every single day, the number of tourists is impossible. It is dangerous."

She continued, "This is one of the most egregious situations when it comes to personal property being attacked all day, every day.

People climb all of the stoops on the street. They will climb over [Barbara's] chain that is there. They will go up to the top. I have yelled at people, I have spoken to people, I have been nice to people. I have been threatened. People have threatened to punch me in the face.

[People] feel so entitled to this piece of private property. I don't think it's actually coming across how severe the situation is.

So please give your full support to Barbara for her application."

After that, a moved Barbara said she'd never met AJ before and quietly shared the sentiment that caused me to tear up. In thanking AJ for her support, Barbara said, "It's nice to know that the Village is still a village."

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There was something so community-affirming that at this moment when Barbara's right to privacy was being devalued and minimized by people who didn't even know her, it was a stranger who decided to tune in and stand up for her right to privacy.

The committee discussed their thoughts about the proposed design (I know nearly nothing about architecture, but there was some back and forth about whether the gate should be arched or flat across the top).

Architectural blueprint of a decorative gate design with labeled measurements and structural details

The committee then voted unanimously to support Barbara's right to install a gate. It was a beautiful moment.

Afterward, I went up to Barbara just to say congratulations, and to my surprise, she embraced me in a warm hug. She seemed so relieved to be able to reclaim even a small amount of her privacy.

So, after all of this, I was curious to visit the brownstone myself. Like I mentioned before, I grew up watching Sex and the City and have lived in New York practically my entire life, but I had never been to the stoop that brought me to the courthouse that morning.

So I jumped on the subway and headed to 66 Perry Street.

Here was the crowd in front of the townhouse at noon on a random, cold Tuesday in January.

People photographing a classic brownstone building in a city street, possibly for tourism or architectural interest. Trees and a streetlamp are visible
Emily Kling

Here are close-ups of the signage on the stoop's chain:

Sign asking for donations of $1 for taking pictures, funds go to animal shelters and rescue groups
Sign asking for donations of $1 for taking pictures, funds go to animal shelters and rescue groups
Sign on chain asks people not to go on steps, keep voices down, and donate to help save homeless NYC dogs and cats
Sign on chain asks people not to go on steps, keep voices down, and donate to help save homeless NYC dogs and cats
Sign hanging on a gate with an illustration of a person gesturing to stay quiet. Text reads:
Sign hanging on a gate with an illustration of a person gesturing to stay quiet. Text reads:

Emily Kling

I thought it was such a testament to Barbara's care for her community that the signage was so neighborhood-focused, asking that people be respectful to her neighbors and that those who took pictures donate $1 to help save homeless dogs and cats in NYC.

And then something funny happened.

As I was taking photos of the above signage, a man started filming me at relatively close range.

I asked him to please stop, to which he replied, "Oh, it's for Channel 7."

There was something meta and almost poetic about my own right to privacy being ignored while I was researching a story about someone else's right to privacy. It was as if even being in the general vicinity of this famed townhouse stripped passersby of their autonomy. And worst of all, I wasn't sure I was any different, seeing as I had just taken a photo of strangers myself. Of course, it was much further back, and I blurred out the only visible face, but it did make me feel weird about the whole thing.

So, if you see me on Channel 7, just know that not only did I not consent to be filmed, but I proactively asked not to be.

Is it a big deal? In one sense, not really. I wasn't doing anything I'd regret having memorialized.

But also, in a larger sense, it did feel like a big deal. When did I lose my right to privacy? When did Barbara? When did the people I had photographed myself? I don't have an answer to these questions, but in an increasingly online world, they're worth considering.

I'm so happy that Barbara got her gate approved.

Row of urban brownstone buildings with stairs leading to their entrances, tree-lined street in foreground, clear sky above

It's clear she doesn't want to rob Sex and the City fans of their right to take a picture from the street, but that the behavior from visitors has gotten out of hand.

Emily Kling

And by the way, I think the women on Sex and the City would want Barbara to have her gate, too. After all, they were New York City women themselves, navigating life in an ever-changing world.

I can't imagine they would stand in the way of another New York woman's right to some peace and privacy.