“We Almost Started Crying”: Cameron Diaz Remembered The Moment She Realized People Would Be Able To Record From Their Phones In 2003

Cameron Diaz has returned to the limelight after a literal decade with her new Netflix movie, Back In Action.

Cameron Diaz in a chic white blazer and gold jewelry, posing in front of Tower Bridge
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She began her hiatus after starring in the 2014 hits The Other Woman, Sex Tape, and Annie — all of which I can’t believe came out ten years ago.

Cameron Diaz (2014) in a black dress with a white collar and braided hair, posing at an event
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Speaking about her break from acting on The Graham Norton Show last week, she said, “Oh my God, I loved it. It was the best ten years of my life. I was just free to just say, ‘I’m a mom, I’m a wife, I’m living my life.’”

Cameron Diaz on red carpet being interviewed, wearing elegant attire with subtle makeup and hair styled in loose waves
Ben Kriemann / Getty Images for Netflix

And the press tour for the new film alongside her costar Jamie Foxx has been as wholesome as we’d hoped, with the two talking about everything from their longstanding friendship to Cameron’s absolute domination of the early 2000s.

Cameron Diaz and Jamie Foxx smiling, standing back-to-back, near Tower Bridge
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On Jan. 17, Cameron appeared on the Netflix podcast Skip Intro with Krista Smith to discuss one such moment, and the two mentioned this iconic photo from the premiere of Charlie’s Angels 2: Full Throttle — which, I think, should be featured in history books around the world. If for nothing else but Drew Barrymore’s legendary butterfly tat.

Cameron Diaz and Drew Barrymore, 2003: Cameron in a short, asymmetrical dress, Drew in a t-shirt and leather pants, holding a bottle of champagne and a glass

And while we have the paparazzi to thank for this shot, Cameron took a moment to mention how it felt to be the subject of constant photos — and how it all changed with the development of technology in the early 2000s.

Cameron Diaz, Drew Barrymore, and Lucy Liu (2003) posing together at a "Charlie's Angels: Full Throttle" event
Dave Benett / Getty Images

“I actually remember because it was Charlie’s Angels 2... our international tour. We were in Tokyo. It was in Roppongi, and the three of us walked out and there was like a whole wall of fans who were waiting for us. They knew we were there,” she began.

Cameron Diaz, Lucy Liu, and Drew Barrymore at an event in 2003 surrounded by photographers
Yamada Hitoshi / Gamma-Rapho via Getty Images

“And they’re all like… they’re holding something over their heads like this,” Cameron gestured, miming with her arm up. “And we’re like… ‘What is that? What are they doing?’”

Cameron Diaz speaking into a microphone during an interview, wearing a black outfit with a gold necklace
Netflix / Netflix Queue / TikTok / Via tiktok.com

“And the woman who was our host there said, ‘They’re filming you… They’re taking pictures of you,’” she continued. “And we’re like, ‘On what?’ and [the host] is like, ‘Their phones!’”

Cameron Diaz with long hair speaking into a microphone during a podcast interview. Wearing a black outfit and gold necklace. Text reads: "And we're like, on what?"
Netflix / Netflix Queue / TikTok / Via tiktok.com

Cameron continued while the interviewer’s mouth fell open. “The wind was knocked out of us, and we looked at each other. Drew, and Lucy [Liu] and I, we looked at each other and almost started crying,” she explained. “It just flooded us.”

Cameron Diaz, Lucy Liu, and Drew Barrymore at an event in 2003

“We were like, ‘Oh my god… It’s going to be everywhere,’” she added. “We’re not going to be able to do anything.”

Yamada Hitoshi / Gamma-Rapho via Getty Images

Cameron recalled thinking, “If everybody has a camera on their phone… And everyone has phones… It’s over.” And for a celebrity in 2003, that realization must have hit like a ton of bricks.

Cameron Diaz, Lucy Liu, and Drew Barrymore at an event in 2003, Cameron looking at Drew

You can listen to the full episode of Skip Intro here. Back In Action in available to watch on Netflix now.

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