Broadway Continued Gradual Rebound Last Season, League Report Says

Broadway continued its hard-fought post-Covid rebound last season, according to The Broadway League’s just-released annual 2023-2024 season report.

The report indicates that in the second full season after the financially disastrous shutdown caused by the Covid pandemic, total admissions of 12.3 million rose a slight 0.4% over the 2022-23 season, even as more significant inroads were made in enticing older ticket-buyers back to the theater, and international theatergoers made up the largest proportion of admission since the 2012-2013 season.

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Still, the 12.3 million admissions remains considerably lower – 16.8% lower – than the record-breaking pre-Covid season of 2018–2019. The figures are comparable to the Broadway of a decade ago, decent but a long way off from the hugely successful seasons just prior to Covid.

Other findings from the report:

  • Approximately 21% of attendances were by people from New York City.

  • Thirteen percent of admissions were from the surrounding suburbs, the lowest percentage in thirty years.

  • Forty-five percent of attendances were by theatregoers from other areas of the United States.

  • The final 21% of admissions were by international visitors. This translated into 2.62 million tickets, the second highest in three decades.

  • Sixty-five percent of the audiences identified as women.

  • The average age of the Broadway theatregoer was 42 years old. (That’s up from 40 years old the previous season).

  • Twenty-eight percent of attendees identified themselves as BIPOC (Black, Indigenous, or People of Color).

  • The average annual household income of the Broadway theatregoer was $276,375.

  • Respondents reported having paid an average of $154.70 per ticket.

  • The average reported date of ticket purchase for a Broadway show was 37 days before the performance, compared to 34 days in the prior year and 47 days in the 2018–2019 season.

  • Personal recommendation was the strongest motivating factor in show selection.

The numbers indicate that admissions for most age groups were down slightly, but increases in the 50+ demo were strong enough to offset the dips.

Some other findings in the 68-page report (which is available here):

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  • Tourists were more likely to attend musicals than plays.

  • Locals (theatregoers from New York City and the suburbs) comprised 48.1% of attendees at plays, but 30.7% at musicals.

  • Winter saw more NYC suburbanites than other times of the year while New Yorkers were most prevalent in the summer.

  • As far as performance time preference, suburbanites preferred weekend matinees.

  • International tourists were more likely to attend evening shows over matinees.

  • In the 2023–2024 season, 64.8% of the audience self-identified as women. Thirty-two percent identified as men and 3.2% reported that they were non-binary, gender fluid, other identification, or preferred not to say.

  • The breakdown of the different gender identities was similar for musicals and plays.

  • Twenty-eight percent of admissions were by BIPOC (Black, Indigenous, and People of Color) theatregoers.

  • Asian audience members totaled 9.4% of tickets, the highest percentage to date for this group.

  • In terms of real numbers, 3.4 million attendances were by BIPOC theatregoers, a decrease from 3.6 million in the previous season.

  • The average annual household income of the Broadway theatregoer was approximately $276,375, an inflation-adjusted decrease of about $4,000 from the 2022–2023 season.

  • In real dollars, the annual household income in 2023-2024 was approximately $40,000 less than it was in the 2018–2019 season.

  • Playgoers were reportedly more affluent than musical attendees, reporting an average annual household income of $290,232 versus $274,229, respectively.

  • The typical decision-maker when it comes to purchasing Broadway tickets was a 44-year-old woman, well-educated and a regular theatregoer.

  • Playgoers were more apt to respond to particular actors and musical-goers were more likely to give weight to the Tony Awards.

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